• Looks like director Robert Rodriguez (“Machete”) may not be the director afterall for the Ryan Reynolds ‘Deadpool’ movie spinning off of Wolverine.  Rodriguez cites a tight schedule with Spy Kids 4 and other commitments puts his timeline in jeapordy.
• Speaking of Wolverine, it looks like the sequel has found a new director in Darren Aronofsky.  The sequel will be ‘somewhat’ based on Wolvie’s lore of finding love in Japan (sans Jean Grey).  Maybe we’ll see the Silver Samurai?
• In more sequel news, it’s noted that Honathan Liebsen has signed on to direct the ‘Clash of the Titans’ follow up.  It appears that the sequel will be filmed in native 3D as opposed to the post conversion process of the first and filming will kick off in January.
• Now that Pirahhna 3D is out, someone is making a Sharks 3D movie…*sigh*
• Rumor has it that sunglass make Oakley will have a tie-in with Disney’s new TRON movie, meaning cool new glasses ala the game grid?
• Major Nelson over at XBOX has revealed that a new XBOX 360 controller will be released in North America shortly with an enhanced D-pad.  This will make the pad more accurate for hard-core gamers that love their fighting games such as Street Fighter, but unless you’re one of those types of gamers, no real need for it.  Said to also launch in Europe most likely in Feb. 2011.  One draw back?  The cost.  It’s reported to have a U.S. street price of $64.99
• Also, expect Xbox Live to raise the price on their Gold membership by $10 come November.  That sucks, but they site the cost and demand of delivering and maintenance on more streaming and enhanced content. Boo!
• In funny news, a compnay going by the name of Mojowijo has developed and will be marketing/selling ‘sex toy’ attachments for the Wii controllers, taking advanatge of the vibration technology.  Somewhere, somehow, bluetooth will be involved, but really?  Is there really a need to turn your Wii remote into a sex toy? Why not use the billion other products or your electric toothbrush for that matter.

Now onto my Dead Space updates:

The book, ‘Dead Space: Martyr’ – As of this writing, I’ve had the novel for about 9 days now and am close to being 3/4′s done.  It is not what I expected at all, but intriguing none-the-less.  Overall the book is a bit slow, but the good news is the chapters are relatively small and makes for a swift and easy read.  It’s definently geared towards mature adults with the language and descriptions inside and weaves an origin story about ‘The Marker’ and the church of Unitology as depicted in the game.  As far as I can tell, The Marker, very similar to 2001′s Monolith is a device of alien origin that has the ability to drive people slowly insane, mad, and violent when exposed for lengths of time or in close proximity to it. 

Of course, enter the cliched scientist who is discovering teh real meaning behind it, and the cliched military man who has his own ideas for The Marker and you cover a good a portion of some sci-fi rehash.  That being said, it’s not a bad book.  I actually find the authors writings very clever and it appears he’s taken great thought and care into developing a story that will have a good payoff for Dead Space fans.  I’m having a hard time deciding how predictable the events within actually are.  I can see some of the elements a mile away, but how the author gets there still holds my interest, and even this far in, The Marker, and its symbols are just as mysterious to me the reader.

Now that game: Beginning with Chapter 4 & 5, I have noticed the game is indeed getting harder.  I still love audio, text, and video logs I’m picking up and really help to set the tone.  I’ve also picked up the ripper and contact rifle as weapons.  I find the ripper is good in tight quarters when low laying necromorphs are surrounding you from various angles at once, but it’s damn slow on the reload.  The contact gun on the other hand…..I’m having a hard tiem figuring out exactly what it does.  It has a low ammo capacity, and shots are either hard to come by in the wild or expensive at the store and I just haven’t figured out how to best use it.

I’ve found a few more schematics, but the best upgrade so far is to Suit #3 and extra oxygen capacity.  There were a few moments in both 4 & 5 where oxygen is key, so make sure you have at least one extra air canister on hand.  I’ve also been using teh med packs a bit more as well.  There is one baddy in general that shoots off a ‘spore’ to the ground, which in turn sprouts a tentacle, which in turns spits out a deadly projectile at you.  Those projectiles pack some punch, so make sure you are in run-n-gun mode, have extra health packs, and are willing to use stasis.  You need to take these out quickly, because if you don’t they tend to multiply and once that happens, you’re as good as dead.  The key here is to sever all the vital points of the creature generally stuck to the wall that spits them out.  I think there are 6 vital points that must be dealt with and through trial and error, I found the good old Plasma Cutter and Stasis combination do the trick.  There’s one sequence here that the creature is at the end of a long hall….you need to run up to it (not to close though as it can one-shot you and rip your head off in one strike), but close enough to use Stasis and then ‘aim’ for the six points.  This may take a few attempts.

One other part I found very difficult was the manual gunnery station against the asteroids using the rail gun.  There’s a sequence where you sit in a chair and take aim at asteroids headed to the Ishimura and you need to pulverize them into dust before they hit the ship and take out the armor and bulkheads.  Sufefr enough damage and you’re dead in a fireball sequence.  Suffice to say, your aim, even with an analog stick must be true on and fast.  If too many slip by, you’re toast and you can’t recover.  Thus far this was my most frustrating moment in the game.  The whole sequence takes about 1.5 minutes, but after the first 60 seconds, it seems like it takes forever.  I must have died at least 10x in a row before I made it, and I made it by the skin of my teeth.  It’s a fun part and a nice departure from the rest of the game but it’s a little agressive and I felt it out of balance (meaning more difficult than I think it should have been). 

Too put it in perspective the ‘boss’ sequence at the end of Chapter 5, I got on the first try (cryo freeze 2x) and run, where this mid-level challenge seems very unforgiving.

These last two chapters, 4 & 5, I was able to complete each in about 1.5 hours instead of 2.  So I’m starting chapter 6 with about 9 hours under my belt thus far.

My wife happens to bowl on Monday nights as part of a league, so that usually affords me Monday nights to myself for entertainment.  As I was so enthralled with the game over the weekend and began reading ‘Martyr’ yesterday in earnest (currently Chapter 15, pg 79) I came home and fired up Netflix over my Xbox360 account.

I looked up Dead Space: Downfall and added it to the instant queue and began watching this 74 minute anime movie.  The events of Downfall take place over the course of a few days and lead up to the opening credits of the game itself.

In the game, as Isaac Clarke, you are fighting for survival on this large derelict ship, but just days before, the Ishimura was teaming with hundreds of crew members going about their daily lives and jobs until the ‘artifact’ is unearthed and brought aboard the ship.  The unearthing of the artifact itself unleashes a certain paranoia and an unseen force amongst the people, and throw is a good alien flying face hugger (kinda looks like a Star Wars ‘mynock’ to infect people and turn them into necromorphs for good measure).  By the time the captain and crew figure out what’s going on, it’s too late, the ship is doomed.

This anime is not really intended for kids.  It’s a ‘mature’ movie, filled with lots of bloody content made of nightmares and tons of colorful language (i.e. liberal swearing).  While there are some subtle stylized differences from what the game presents, the overall look of the interior of the USG Ishimura is pretty close.  You’ll recognize a few areas and even a few names.  You’ll learn the fate of the Captain, and even get hints of the overall Unitology conspiracy taking place.

While it’s not the best animation on the planet and a far cry from any CG work these days, the style fits just fine; even some of the rougher parts doesn’t detract from the story.  That being said, the story itself, while entertaining, seems to ‘borrow’ a few concepts and ideas from other sci-fi movies and shows.  It’s not to say that Downfall isn’t ‘original’, but if you’re an avid Sci-Fi fan like myself you’ll note some common themes and ideas throughout.

But the movie was intended to be a prequel, to lead the viewer upto the point where they begin to play the game, and it does a fine job, (not stellar), but fine job at doing just that.  Anything longer that 70 minutes may have been a detriment.  There’s plenty of action, recognizable locals, faces, and names that the gamer will identify with and that light bulb will begin to glow over your head.

One of the final scenes of the movie is the Isaac Clarke’s rescue ship approaching the Ishimura just as it did in the opening cinematic of the game which is a great tie in that marries the two together, so you know what your up against and where on the time line you fall.

Not sure if I’d buy the movie and unsure what the Blu-ray version would give you since it is standard animation.  If you are able to rent it, or even better, stream it like I did, then you’ll be happy.  Assuming you are playing the game as well, I’m not there is much replay value in the movie, so I wouldn’t buy it.

Shifting gears a bit, I was then able to play Chapter 3: ‘Course Correction’ last night afterwards.  Again, it seems I’m averaging about 2 hours a chapter, so if there are 12 chapters in this game, I expect I’ll get at least 24 hours of play time out of it.  I’m a cautious gamer as well….I don’t run headlong like Han Solo, guns blazing down cooridors.  I tend to creep, flashing my headlamp all about into all the dark spaces, and I also take the time to look for hidden items, power-ups, and all the logs strewn about.  I really enjoy the text, audio, and video logs.  They add so much backstory to the game, it’s a shame if you are the type that just balzes through the enemies getting to the objective in the fastest times.  If you are, then you’re missing out on some good lore.

I really enjoyed the centrifuge room last night.  The one in zero-g, in which you need to start up the engine manually and then dodge the centrifuge itself while in the vacuum fighting of a few necromorphs.  Ahhh….the silence is just so tense at times, and when you finally make it back to an airlock with seconds of air left to breathe, and your suit re-pressurizes, you really get a sense of gratification and unloading of a burden.

The last standoff in this chapter is pretty intense.  You throw the ignition switch in the bay, turn around, stars at your back, engine wailing super loud, and you spot a team of running necromorphs headed your way.  Gotta love the line gun at this point.  I also bought the ‘ripper’ weapon last night as well, but haven’t gotten the chance to use it yet.  I really need to get me some more power nodes and get some extra capacity on my rig (bio-suit) as my inventory slots are on the low end and now that I have a host of weapons, I need some more slots to carry ammo.

As it stands right now I am currently playing the following on my Xbox, but haven’t finsihed any of them: Grand Theft Auto IV, Assasins Creed II, Batman: Arkham Asylum, CoD Modern Warfare 2, Tiger Woods 2010, Dragon Age Origins, Mass Effect 2 (still in the cellophane), Saints Row 2, and Crackdown (yes, i still play the original Crackdeon).  Most of these I am anywhere from 50-75% done, although I think Grand Theft Auto IV and Saint Rows 2 is way down, but they have such an unforgiving failure structure in missions, I get frustrated if I have to start over so far back because there aren’t any real save points.

It doesn’t help there are also a bevy of games that all have high ratings that all came out or are about to come out as well, that I really want to play, but these $60 price points are just killing me these days.  There’s Red Dead Redemption, Splinter Cell Conviction, Alan Wake, Limbo, Gears of War 2, just to name a few. Oh, and I can honestly say I’m looking forward to two Wii games as well: Epic Mickey, and Kirby: An epic yarn.

All this being said, and realizing I need to get the most bang for my buck these days, I recently saw a preview for Dead Space 2. It looked pretty cool and then that seemed to trigger a lot of memories of all the positive buzz the original Dead Space got back in 2008. The whole action packed, horror/survival genre intrigued me and since I tend to get pwnd by players half my age anymore, the thought of me picking up the original Left 4 Dead and getting lambasted over the headset didn’t sound all that appealing to my ego.

I went to check out Dead Space and learned it is now part of the Xbox line of Platinum Hits, meaning it has a price point of $19.99, or a fraction (34%) of the original price. I went to Game Rankings and Wikipedia (89% favorable rate on average) to get their impressions and I was really surprised to learn that there is such a backstory and supplementary products and lore to support this franchise.

There are prequel comic books, an actual prequel novel “Dead Space: Martyr” (dated even earlier in the timeline of the comics), an anime movie, a Wii rail shooter (Dead Space: Extraction) that takes place days before the events of the original Dead Space game. In short, I love games or franchises that take on a life of their own and a new universe is created around them with so much deep and original content. I now have Dead Space fever and went out to buy both the Platinum Hits version of the game and also the novel, Martyr.

The book, Dead Space Martyr by B.K. Evenson clocks in at 414 pages and is a slightly oversized paperback. I started reading it today and am already enjoying the slow build of events that are taking shape all the way to my current page of 57. I will most likely read a good portion of this book by this week and it reall sits the tone and mood for events that I can only guess so far already took place just prior to the start of the game. So far it appears to me a very smart novel and not hokey schtick, minutae, or shovelware to get a few extra coins and milk this franchise. Already it makes me think of Indiana Jones meets “Abyss” meets the X-Files. Something spooky, mysterious, scientific, paranormal, alien, archeleogical, and conspiritorial all wrapped into one. If I enjoy this novel as well as I think I will, I just may have to buy the 6-issue comic collection and get the anime movie from Netflix to satiate my appetite and round my experience out.

Now about the game itself:  My initial impressions is that it is indeed very fun and a visual treat.  Right from the get go, there is a beautiful cinematic that sets up the initial quandry and within minutes I’m already tense.  This derelict planet cracking ship is quiet….too quiet.  With only the strained voices of my A.I. controlled, yet seperated from me crew members, its clear from teh get go I’m on my own and I need to survive.  From both lighting direction and sound design, my personal mental state is elvated on trying to be alert.  Not only am I being very cautious in my movements as I push the left analog stick forward, while looking all around with my right stick, I’m really trying to use my ears.  Everything makes an isolated sound, and the majority of the sounds are not that of a joyous ice cream truck looking to off load some delicious treats.  Nope, there are thuds, and scampering, and moan, and howls, and shallow breathing, and then nothing.  The silence is deafing, and even though I am on high alert, I am still scarred shitless at times.

The game is broken up into 12 chapters, and although I’ve taking my time (4 hours to complete the first 2 chapters), I have plenty aways to go.

The ship I am on, the USG Ishimura feels gigantic and vast.  I’ve only explored a few sections so far, but I am intrigued and in awe of some of the design and magnitude of the environments.  One minute I feel clausterphobic, pulse welder ready and aimed for discharge, the next I’m in a large mechanical ship bay, or medical lab that also feels too big, as if my sixth sense is telling me I’m not alone in here.

The environs are pretty diverse as well.  I’ve already experience both zero-gravity, and the dead silence of the vacuum of space.  I’ve run down blood stained cooridors, jumped when the lights flickered, and cringed at the sight of medically tampered fetuses in statis tanks.  There’s the sound of flies buzzing near body bags, cryptic blood drawn symbols on the walls, and then there is the occasional audio or video log tape that I find that fills in some blanks or drops a clue on what happened to the crew.  None of it is good.

The voice acting in above average, and the story is rich and tense.  No doubt the novel and anime will even do more to flesh everything out.  There are some criticsims that our protaginist Isaac clarke (an amalgam of Isaac Asimoc and Arthur C, Clarke me thinks) is a bit silent and uninteresting as we really never see his face or hear his thoughts, but in this case, I’m okay with it.  I hadn’t really noticed myself until I read that from other sites, and in no way do I think it affects my game.

Games controls are slightly different from other first person shooters I’ve played up to now, but the online ingame tutorial is both very unique and refreshing.  Once you get the hang of things, the U.I. actually seems very clever and intuitive and now I wonder why more games haven’t taken this approach before.  Here’s to hoping that EA keeps this formula in the sequel with only a few minor tweaks.

Weapons are unique to an extent and I like how they handle upgrade options in the game, either via used power nodes or found schematics.  Isaac’s HUD is really original as well, and really does have a futuristic feeling to it.  My only beef is with the amount of inventory he can carry on early in the game.  He’s very dependant on his plasma welder and thus needs to pick up ammo early on, but the ammo tends to take away from his ‘backpack’ space whcih can be frustrating early on until you get the hang of the game and work on your own personal strategy.  Now that I am starting chapter 3, I think I kinda understand the mechanics a bit better and I can do without as many plamsa clips.  The other weapons are pretty brutal as well, especially the line gun, alhough I’ve yet to buy/try the flamethrower.  You don’t need all these weapons thouugh…there is an achievemnt for completing the game using only the plasma welder which makes me believe the other weapons are for pure mayhem and eye candy value only.  However, that being said, the line gun has saved my ass a few times and I think a much better addition than the pulse rifle.

I don’t want to spoil anymore for you, but the necromorphs (aka bad guys) are downright scary.  While they may seem a bit repetitive (there may be more variety later on), they still seem gruesome in their size, stature, and movement when you do encounter them.  The animations of dismemberment and blood squirts and sounds are visceral to boot.

All in all, a great game, albeit from 2008.  A highly recommended buy for $19.99, and now I’m not sure if I can wait for Dead Space 2 to hit Platinum status in a year from now.  As a budget minded gamer, I may have to splurge at $39 or $29 when it happens.

Zachariah Perry Cruse, a 19 year old sculpture student, is the video game-playing Tony Stark behind this mod, capturing the Iron Man essence (or at least color pallet) with red plastic, gold chrome, and blue LEDs. Good thing the real Iron Man can’t RROD.

Cruse put the mod up for auction on Ebay, where it currently stands at $300, with one bid. In the item’s description he covers the basics and also lets on that the Xbox’s 120GB hard drive bears a Stark Industries label. That, my friends, is attention to detail.

These photo’s show a ‘developer’ only model as indicated by the stickers, and may look a tad bland all in white, but you should get the gist of what Natal will finally look like sitting ontop of your Xbox 360.  I hope that if it is indeed a stand alone, that they will offer a variety of colors, as the stark white version shown here isn’t gonna look too good with my Halo green console.  It may be better suited sitting next to my Wii.

The pictures come from the D8 conference held earlier this week, and I’m sure we’ll get even a better look at E3 this year.  Rumors abound that Microsoft will be picthing the Natal very aggressively at E3, showing it off both Monday night and again during it’s stage show I beleive which is on Tuesday.  Hopefully we’ll all learn the street price, maybe see some finished color options, and most importantly some ‘real’ interactive games as opposed to Lionhead’s “Milo” (as impressive as it was last year) and the oft seen dodgeball/breakout demo that’s been making the rounds. 

If that is all there is, then I may indeed pass.  I need to see something deep and impressive besides a racing game if MS wants me to drop the rumored $150 bucks on this thing.

Early rumors had hinted Natal maybe as low as $60, although I for one never believed that.  I thought a street price of $79-89 was more realistic (as a stand alone without and AAA titles), but recent speculation coming out of a mole at MS indicates that Natal may be at a price point of $149!  Hopefully this does include a title with games ala Wii Sports.  This may put a damper on my early adoption, definetly having me sit back and see the games announced and actual performance after initial release. 

Since it may drop in October/Novemeber, here’s to hoping that MS has some real hands on demo’s at E3.

Now Rock Band 3.

My earlier post this week indicated that we’d be seeing the inclusion of a keyboard of some type.  Well, it appears my guessing was a bit closer to the truth afterall.  It sounds like a ‘keytar’ will be the instrument debuting meaning a concentration on 80′s pop, funk, and new wave music.  I think many acts back in the 80′s including Devo, Thomas Dolby, Thompson Twins, Morris Day and the Time, and many more used the Keytar (think keyboard on a strap much like a guitar) in their songs.

Peripheral manufacturer MadCatz is teaming up with Activision to concentrate on the various intrument offerings where as the game developer itself says it will focus on the actual software.

The game will also offer a new ‘Pro’ mode, and while the actual facts are somewhat vague it seems there will be an emphasis on technique more than button mashing.  And three microphones for harmony are pretty much a lock at this time.

But also notice the microphone icon….it has multiple mics….Is it possible we’ll be singing harmony ala Beatles?  I guess we’ll find out more details come mid June when E3 2010 drops.

I’m looking forward to RB3, although my friends and I have’t finished RB1 or 2 yet.  Not sure why as we always have a blast playing.  It’s just been getting harder and harder to round us all up.

In other music gaming news, I’ve almost completed DJ Hero on medium.  I have no fricken idea how people are scoring 5 stars on Hard or Expert modes.  Now that I’m ending my tour on medium, I just think how hard my hand/eye cooridination was on a few beats/sonsg in the Vinyl Cuts section, especially with the cross fader.   Here’s hoping that Activision throws a few more songs our way before DJ Hero 2 drops as well.  I understand the game didn’t deliver the sales numbers they were hoping for this past holiday season, but come on…the game did retail for over $120 on debut during a recession and just after The Beatles and sucky Tony Hawk’s Ride dropped.  Tough market to compete in, and thus they didn’t follow up with DLC support for months.  It was months before a second set of DLC was released after the initial offerings.  That’s just not cool when RB & Harmonix are pumping out tracks on a weekly basis.

Games I’m currently working on: Dragon Age Origins, Assassins Creed II, Modern Warfare 2, and beleive it or not, I still have an un-opened copy of Mass Effect 2.  Haven’t even had time to play Tiger Woods 2010, let alone think about Red Dead Redemption, Alan Wake, Splinter Cell: Conviction, and Borderlands.  By the time I get to those, hopefully the price will drop on all of these to $29.99-$39.99

And Natal?  I can’t even think about that right now.  Though I am curious to any news of upcoming games for it.  I think it has a ton of potential, but I’m just really scared that there may be a lot of shovelware crap like the Wii.

Everyone likes mods.  From consoles, PC gaming rigs, specialized chairs, and even reconfiguring button placment on controllers. 

However the Proton-pack mod shown here for the Nintendo Wii version of teh recent Ghostbuster game is just pure fanboy bliss.  I came across this picture on the web, and I couldn’t find the name of the creator to give him/her the proper kudos, but a lot of time, creativity, and thought went into this.  Truly a one-of-a-kind.

The Blue Power Cell actually reflects how much power you have left, and the Thrower integrated both the Wiimote and Nunchuk almost seemlessly.  Also, the Wiimote’s internal speaker enables the pack to make true-to-film sound effects.

Fricken AWESOME.

The Dallas-based auction house said the rare copy of Detective Comics No. 27 sold for a total of $1,075,500, which includes the buyer’s premium, to a buyer who wished to remain anonymous. The consigner wanted to remain anonymous as well.

“It pretty much blew away all of our expectations and now it’s the highest price ever raised for a comic book,” said Barry Sandoval, director of operations of Heritage’s comics division.

A copy of the first comic book featuring Superman, a 1938 edition of Action Comics No. 1, sold Monday for $1 million in a sale between a private seller and a private buyer, with the transaction conducted by the New York City auction site ComicConnect.com.

“We can really say that Batman has nosed out Superman, at least for now,” Sandoval said.

He said the consigner had bought the Batman comic in the late 1960s for $100. With a bright yellow background, the comic features Batman swinging on a rope above city rooftops.

“That cover is just one of the most famous of all comic book covers,” Sandoval said.

J.C. Vaughn, associate publisher of The Overstreet Comic Book Price Guide, said most people had predicted it would be the comics with the first appearance of Superman and Batman that broke the $1 million barrier. Both comics that sold this week were in great condition — scoring an 8.0 on a scale that goes up to 10, he said.

“I think that you can greenly ascribe this to a real comfort with the liquidity of rare, high grade vintage collectibles,” Vaughn said.

George Pantela, owner of Melbourne, Australia-based GP Analysis, which tracks sales of certified comics from more than 20 auction houses and dealers, said the previous record was about $317,000 paid a year ago for a lesser grade Action Comics No. 1 than the one sold this week.

Vincent Zurzolo, chief operating officer of Comicconnect.com, took the breaking of their record in stride.

“It’s an exciting week in comic books when you have two comics selling for $1 million,” he said.

A 1938 edition of Action Comics No. 1, widely considered the Holy Grail of comic books, was sold from a private seller to a private buyer, neither of whom released their names. The issue features Superman lifting a car on its cover and originally cost 10 cents.

The transaction was conducted by the auction site ComicConnect.com. Stephen Fishler, co-owner of the site and its sister dealership, Metropolis Collectibles, orchestrated the sale.

Fishler said it transpired minutes after the issue was put on sale at around 10:30 a.m. Eastern time (1530 GMT). He said that the seller was a “well known individual” in New York with a pedigree collection, and that the buyer was a known customer who previously bought an Action Comics No. 1 of lesser grade.

“It’s considered by most people as the most important book,” said John Dolmayan, a comic book enthusiast and dealer best known as the drummer for System of a Down. “It kind of ushered in the age of the superheroes.”

Dolmayan, who owns Torpedo Comics, last year paid $317,000 for an Action Comics No. 1 issue for a client. Others have sold for more than $400,000, he said, but this copy fetched a much higher price because it’s in better condition. It’s rated an “8.0 grade,” or “very fine.”

Dolmayan said he didn’t buy this copy but he wishes he could have.

“The fact that this book is completely un-restored and still has an 8.0 grade, it’s kind of like a diamond or a precious stone. It’s very rare,” he said.

There are only about 100 copies of Action Comics No. 1 believed to be in existence, and only a handful have been rated so highly. It’s rarer still for those copies to be made available for sale.

“The opportunity to buy an un-restored, high-grade Action One comes along once every two decades,” Fishler said. “It’s certainly a milestone.”

The sticker shock was astounding to Fishler, nevertheless.

“It is still a little stunning to see ‘a comic book’ and ‘$1 million’ in the same sentence,” Fishler said. “There’s only one time a collectible hits the $1 million threshold.”